Mess and Mess and

Mess and Mess and Poetry African African American Studies Douglas Kearney writes If my writing makes a mess of things it s not to flee understanding but to map mis understanding as a verb The map s guide is MESS AND

  • Title: Mess and Mess and
  • Author: Douglas Kearney
  • ISBN: 9781934819517
  • Page: 289
  • Format: Paperback
  • Poetry African African American Studies Douglas Kearney writes, If my writing makes a mess of things, it s not to flee understanding, but to map mis understanding as a verb The map s guide is MESS AND MESS AND, in which Kearney defines the terms that member his poetics, taking even prefixes as a call for semantic inquiry Within are essays that explore the NePoetry African African American Studies Douglas Kearney writes, If my writing makes a mess of things, it s not to flee understanding, but to map mis understanding as a verb The map s guide is MESS AND MESS AND, in which Kearney defines the terms that member his poetics, taking even prefixes as a call for semantic inquiry Within are essays that explore the Negrotesque, gloss specific poems and poetry collections, the inspirations from life, literature, and otherwise he drew upon when putting his pen to the page as well as studies and drafts from his journals Simultaneously playful and cutting, Kearney s collection interrogates that which inspires, troubles, and recurs in his work, the mess es there The joy in reading MESS AND MESS AND comes from the way Douglas Kearney s writing performs and transforms the sensations of the historic, imagined and real black body into a kind of jive signification system of pun, gesture and resistance through time, space, etymology, gloss Jive meaning some mess, some movements, some secrets glyphed behind the hand, continually decoding and decoying the code Here, the body shifts to its proxy, language, as Kearney creates his own methods for naming and theorizing not just creative process but the experience of art and utterance as a relationship with the various phenomena of living, dying and getting free Evoking the heady erotics of Nathaniel Mackey and the critical interventions of Adrian Piper, Douglas Kearney s meticulous and playful ars poetica illustrates the unseen dimensions of what makes his work necessarily graphic, totally vulnerable and admirably outrageous Tisa Bryant Now and then, in Altadena, Arkansas and elsewhere, mess is a unit of measure, enough of something to feed anyone that needs to be fed It s in this regard that measure is poetry how we sustain and share, in sound and flavor, our capacity to make a living, to live beyond our means, which they keep on trying to keep all for themselves What you re holding in your hands bears all of that Shit is hard and terrible, and what you re holding in your hands, which is most definitely the shit, bears all of that, too Humans have made a mess of things and nothing but swarm, sheen, shimmy, stagger and stutter is gonna get us in deep enough to get us out of it An old new analexical word search and blackword research project, an anamessianic mess for the end of time that no one can tell us how to use, MESS AND MESS AND is Miss Ann s apocalypse, Amos n Andy s undermanumission, Douglas Kearney s antimassapiece Fred Moten This book is a Mess It s a theory of Black cultural production that does its work by refusing to be straight ened up It s Doug doing his do o Dig it Like a mess of greens, this Mess is gritty to start with, but you know it s going to be goooood Dig in It won t read itself but it might read you Evie Shockley

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