Twelfth Night

Twelfth Night The acclaimed Pelican Shakespeare series now in a dazzling new series designThis edition of Twelfth Night is edited with an introduction by Jonathan Crewe and was recently repackaged with cover art b

  • Title: Twelfth Night
  • Author: William Shakespeare A.R. Braunmuller Stephen Orgel Jonathan Crewe
  • ISBN: 9780143128595
  • Page: 432
  • Format: Paperback
  • The acclaimed Pelican Shakespeare series, now in a dazzling new series designThis edition of Twelfth Night is edited with an introduction by Jonathan Crewe and was recently repackaged with cover art by Manuja Waldia Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series.The legendary Pelican Shakespeare series features authoritatiThe acclaimed Pelican Shakespeare series, now in a dazzling new series designThis edition of Twelfth Night is edited with an introduction by Jonathan Crewe and was recently repackaged with cover art by Manuja Waldia Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series.The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans Each book includes an essay on the theatrical world of Shakespeare s time, an introduction to the individual play, and a detailed note on the text used Updated by general editors Stephen Orgel and A R Braunmuller, these easy to read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967 With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.For than seventy years, Penguin has been the leading publisher of classic literature in the English speaking world With than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up to date translations by award winning translatorsE LESS

    One thought on “Twelfth Night”

    1. I wish I could've seen what performances of this play were like in Shakespeare's time. Since women couldn't be on stage, men had to play the women's roles, which means that the guy playing Viola had to also dress up as a man while acting like a woman. You have to wonder if the audience ever really knew what was going on. I'll bet you anything you like that some form of the following conversation took place in the Globe Theater at one point:GROUNDLING 1: Wait, wasn't that guy playing a girl? Why' [...]

    2. Twins: Freaky or Fun?Twelfth Night is Shakespeare's answer to that age-old question.While I was listening to this, I had no idea that Viola & Sebastian were twins. As far as I knew, they were just siblings. But, apparently, they were (<--if I had read the blurb, I would have known this).And, apparently, it was also easy to pass as a man 400 years ago! I guess if Gwen could do it (and still find time to write her ever-practical GOOP blog), then I could too!This is useful to know, in case I [...]

    3. “Twelfth night” is probably the most well rounded of all the Shakespearean comedies I have read so far, both for its structure and thematic scope, which is close to the darkest side of his best tragedies. Evading the somewhat shallow hedonism of his earlier comedies, the perplexed reader encounters a play that is opened with a shipwreck on the coast of the fictional town of Illyria. The twins Viola and Sebastian were onboard of the crashed vessel but they lose sight of each other amidst the [...]

    4. Book Review4 out of 5 stars to Twelfth Night, a comedy written in 1601 by William Shakespeare. There are more reviews written about Shakespeare than either of us know what to do with, on, over or about. So you're not getting a review from me. What I will say is the following: Love him or not, the man can create brilliant plots and characters. Twins. Mistaken identities. Tomfoolery. Witchcraft. A chain of "who's on first" when it comes to which character is in love with which other character. Con [...]

    5. The treatment of Malvolio is a little too cruel, Belch and Aguecheek are a little too coarse, and the resolution is a little too abrupt, and so this excellent Shakespearean comedy falls a little short of perfection. Still, the poetry about music and the songs themselves are wonderful, Viola and Orsino are charming, and Feste is the wisest and best of clowns.

    6. Now a strange, astonishing thing or two , happened, off the west coast of the Balkans, ( Illyria), in an undetermined age, aristocratic, identical twins, a boy and a girl, well around twenty, give or take a few years, were lost at sea, shipwrecked by a powerful storm. Presumed drowned by the other surviving sibling, both saw their relative in an untenable situation. But this being a play, the twins keep on breathing, reaching the beautiful, dry, glorious beach, with separate help from out of the [...]

    7. Reading Shakespeare is almost like going down into the basement of literature and examining the foundations. So often I find the origins of what has become trite and overdone, and yet Shakespeare was the fountain from which so much springs. This is especially true of Twelfth Night, it is apparent that so many comedies and romances over the centuries were heavily influenced by this play.Very entertaining.

    8. Twelfth Night; or, What You Will, William ShakespeareTwelfth Night, or What You Will is a comedy by William Shakespeare, believed to have been written around 1601–02 as a Twelfth Night's entertainment for the close of the Christmas season. The play centres on the twins Viola and Sebastian, who are separated in a shipwreck. Viola (who is disguised as Cesario) falls in love with Duke Orsino, who in turn is in love with the Countess Olivia. Upon meeting Viola, Countess Olivia falls in love with h [...]

    9. December 31, 2017 reviewMy return to the world of William Shakespeare and my favorite play--though I find Hamlet and Much Ado About Nothing to be superior dramatically, neither are as romantic or riotously funny as this--brought me back to my first reread on and Twelfth Night. Work on my novel ground to a halt several weeks ago at the halfway mark and I wanted to return to a couple of texts that remind me of why I'm a writer. I also noticed that as of December 30, I was one book short of my 201 [...]

    10. I really didn’t expect to like this. Most comedy is wasted on me, but Shakespearean comedy is just so damn funny. Reading this play is only half the picture. I think this is a play that really must be seen in performance as well. I watched a DvD version of the recent globe production and I was practically rolling on my living room floor with laughter. It had an all-male cast, which just made it even better. Mark Rylance as Olivia was just pure comic genius, and Stephen Fry as Malvolio was just [...]

    11. Twelfth night being the last comedy of William Shakespeare, is highly acclaimed and panned at equal measures. We come to peruse and praise his literary genius through his artistic handling of different themes packed in one play. On the surface, the play exhibits traces of mistaken identity, deception, Lovesickness, melancholy, desire and abundance, gender and sex, master and servant, but on the broader canvass, the colors are more vivid and glaring laden with undercurrent meanings of these theme [...]

    12. So this one doesn't rank terribly high on the believability scale, but this is still my favorite Shakespeare comedy. It's absurd to have a set of fraternal twins -- brother and sister! -- who look so much alike that people who know them reasonably well can't tell them apart. Shakespeare may not have been entirely clear on the distinction between identical and fraternal twins or, more likely, he just didn't care. But push the Disbelief Suspension button here and just go have fun with this love tr [...]

    13. A few years ago I read a review of some film that had come out and I was sure I would never see – read the review almost carelessly while flicking through the arts section of the paper on a Saturday morning, no, I must have been clicking over The Age Home Page. The woman who wrote the review commented that whatever the film was had been based on Twelfth Night – which she considered that most ridiculous of Shakespeare’s plays – she really could not see how anyone could be bothered to repr [...]

    14. I liked the dialogue in this one a lot more than the first one we read for class (A Comedy of Errors). I love the whole "girl poses as a guy in order to trick misogynists into letting her participate in their society" trope, and I just in general loved Olivia and Viola as characters, so I was super into this. My only complaint is that the ending wraps up too swiftly for me and a few of the plotlines were just kinda smooshed into one grand finale, but I was left wanting more. Not the best Shakesp [...]

    15. "If you be not mad, be gone; if you have reason, be brief."- William Shakespeare, Twelfth NightI liked it, but didn't love it. Positives: I always like Shakespeare's gender benders. The Bard enjoys not playing characters straight. He doesn't want a love story or even a love triangle, Shakespeare wants to explore all the tangents, the lines, and the angles of love's many geometries. He is a great experimenter of the human soul. He is the Faraday of romance, unsatisfied until he has teased out all [...]

    16. 4 StarsOverview"Be not afraid of greatness. Some are born great, some achieve greatness, and others have greatness thrust upon them."While not his most well-known work, The Twelfth Night is certainly one of my favorite works by Shakespeare. I've always enjoyed his comedies more than his tragedies, and this one was filled with his trademark wit and crazy situationsPros:Shakespeare loved him some wordplay, and as always, it's masterful. The jokes were quick and hilarious, while still revealing thi [...]

    17. A play that can really come alive when staged, as opposed to read. As with many of Shakespeare's comedies, there's lots of frivolity and crazy fun, undergirded with some darker themes.

    18. باز هم جا به جا شدن شخصيت ها با هم! كم كم دارم به اين نتيجه مى رسم كه شكسپير فقط همين يك ايده رو براى نمايش كمدى داشته و توى همه ى نمايش هاى كمدى ش از همين ايده استفاده كرده.

    19. You know what? I think this play is the Shakespearean equivalent of Three’s Company, a laugh-track comedy with goofball characters and preposterous situations that trigger a chain of events you can see coming a mile away. We’re talking here about a play in which a woman masquerades as a man (pretty much for the hell of it), deceiving everyone into believing she’s a dude without testes—because how else do you, in the absence of injectable testosterone products, convince people you’re a [...]

    20. One of my book resolutions this year is to read more classics, including some of Shakespeare's plays. Shockingly, I've only read a couple, but ironically I read Twelfth Night at the tender age of 14 as part of my year 9 English class. I wanted to see how much I remembered etc. Surprising, not much. Basically Viola and her brother Sebastian are involved in a shipwreck, washing up on the shores of Illyria. Both think the other is dead, and Viola dresses up as a bloke to protect her honour or whate [...]

    21. 3.5/5I'm glad I read this in class because I wouldn't have gotten much out of it otherwise. Shakespeare may be Shakespeare, but I am also I, and I know my tastes well enough to have before reading this thought "Bro I love certain pieces of your work but I'm fairly certain this is not going to have a honeymoon ending." Comedies tend to make me nervous with their glee and their joy and their soap bubble ideologies, and while the playwright did some wonderfully complex things with gender and the tr [...]

    22. Comedies are never my favorites of Shakespeare, though this was quite a delightful reading for Yule. A bit silly and nonsensical does make it fanciful and worked well for me. Honestly, Shakespeare is one of those things that I think is infinitely better in performance than reading, especially the comedies.It was between Twelfth Night and A Winter's Tale--I chose this one. I suppose I'll save A Winter's Tale for next Yule and finally read the bloodbath that is Titus Andronicus. Onwards!

    23. I've just written another review for a more modern play, complaining about how they're not made for reading, but watching. Although I'd say Shakespeare kind of breaks that rule. I often enjoy the words on the page as much, if not more than watching a stage performance. However, I feel like Twelfth Night needs to be seen. There's quite a lot of stage direction and subtleties that are missed just by reading, or at least they are if you're not familiar with the story. I chose to watch a production [...]

    24. Aslında kitap 3 gün önce bittiydi de benim üniversite hayatına alışma sürecim biraz sıkıntılı geçiyor, depresifken bir şeyler yazamıyorum affedin!Hemen kitap hakkında iki-üç şey yazacağım sonra Panzehir’e başlamaya gideceğim -aslında Hamlet’e başlayacaktım ama okuyup bitirmek istemiyorum kitabı, çok ciddiyim- On İkinci Gece’yi o kadar çok sevdim ki ben bile şaşırdım. Klasiklerden kitap okuduğum zaman genelde yorum yazmıyorum biliyorsunuz, çünkü alış [...]

    25. Thoughts two seconds after having finished Twelfth Night:Everybody was gay and the next second, next thing you know it was ‘guess we’re not?’ Honestly it was the weirdest thing I read by Shakespeare. It’s not that nothing made sense but it was a lot of secondary stories colliding with each others to make this main one and it was difficult to follow at times.But yeah, it went from ‘welcome to the land of gays’ to ‘no homo’ in a nano second. For nearly the entire story I thought we [...]

    26. Besides "Much ado about nothing", Twelfth Night is my favourite Shakespeare play.The major character is Viola, who after losing her twin brother, is forced to disguise herself as a boy to survive in a strange and hostile land (namely Illyria which is at war with her home county, Messaline). She musters all her courage to hide her pain over the supposed death of her brother. But struggles are not over as she also has to hide her passionate love from Orsino, the Duke of Illyira whom she serves.Her [...]

    27. I prefer Shakespeare comedies to his tragedies and Twelfth Night was the most loved of that genre as far as I remember. Having previously read when I was too young to appreciate Shakespearean work, I wanted to revisit this particular comedy that I remembered loving. The story contains separation of twins due to a shipwreck, mistaken identity, a cruel trick of heart played on a steward and a tangle love, all of which are nicely settled in the end. The characters are interesting and the play is fi [...]

    28. Shakespeare'in Hamlet, Machbet, Othello, Venedik Taciri, Romeo ve Juliet gibi eserlerini okuduktan sonra dilimize çevrilen diğer eserleri bence oldukça sönük kalıyor. Sanırım bundan sonra, okumadığım diğer eserlerini okumaya yeltenmeyeceğim. Zamanına göre evet çok değerli ve çığır açmış olabilir fakat günümüz için bence geçerli değil. 3. yıldızım da sadece Shakespeare olduğu için.

    29. Shakespeare ve eserleri hakkında fazla söz söylemeye gerek yok sanırım. Belki ele aldığı çoğu konu farklı versiyonlarda defalarca karşımıza çıkarıldığından eserleri günümüz için fazla orijinal veya yaratıcı gelmiyor olabilir, ancak şimdiye kadarki (az sayıdaki) Sheakespeare okumalarımdan zevk aldım. Onikinci Gece'yi de aynı şekilde keyifle okudum. Eğlenceli bir oyun. Çeviriden şikayetim yok ancak orijinal dilinde okumak hoş bir deneyim olabilir.“Bazıları b [...]

    30. We went to see a Cambridge University production of this last night, set in a similar period to the production we saw of As You Like It we saw earlier this year.Zak Ghazi-Torbatt was hilarious as the perpetually drunk aristocrat Sir Toby Belch (subtlety is not the long suit of this play), he worked well with his off-sider, Sir Aguecheek, ably played by Ryan Monk. Ben Walsh’s Malvolio was a object lesson in how to not overplay comic creepiness. Megan Gilbert looked like an old hand doing Maria: [...]

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