A Star Is Born: The Making of the 1954 Movie and Its 1983 Restoration

A Star Is Born The Making of the Movie and Its Restoration There is no question that the version of A Star is Born holds a special place in the pantheon of classic movies It was director George Cukor s first foray into musicals his first colour film an

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  • Title: A Star Is Born: The Making of the 1954 Movie and Its 1983 Restoration
  • Author: Ronald Haver
  • ISBN: 0073999145670
  • Page: 126
  • Format: Paperback
  • There is no question that the 1954 version of A Star is Born holds a special place in the pantheon of classic movies It was director George Cukor s first foray into musicals, his first colour film, and it was without a doubt Judy Garland s greatest screen performance With incredible detail, Haver gives us the gripping story of its making and marketing, the myriad technicThere is no question that the 1954 version of A Star is Born holds a special place in the pantheon of classic movies It was director George Cukor s first foray into musicals, his first colour film, and it was without a doubt Judy Garland s greatest screen performance With incredible detail, Haver gives us the gripping story of its making and marketing, the myriad technical problems, the clashes of personalities, and the shocking ups and downs of the film s star And here, finally, is the author s own mission to restore the film to its original length and glory in 1983.

    One thought on “A Star Is Born: The Making of the 1954 Movie and Its 1983 Restoration”

    1. This is the first book about the making of a movie that I've read. A Star Is Born is my all-time favorite movie. Before reading this book, I was hopeful that it would be honest and insightful about the movie and the people who made it. The book did not disappoint. My only regret is that I was not alive in 1954 to see the original full-length version of the movie.

    2. he 1954 version of A star is Born, is one of my favorite films. Judy Garland as Vicki Lester and James Mason as Norman Maine give amazingly moving performances as to movie starts, one on the way to the top, and one hurtling towards oblivion in a bottle.This book chronicles the troubled making of the film, from finding the right leading man (both Cary Grant and Humphrey Bogart were approached to play Norman Maine), the script and music issues and even what format and lenses to use (CinemaScope ha [...]

    3. I didn't want this book to end Living in Hollywood at the same time when the Restoration took place and everything lost frame that was found is remarkable Buying tickets for the first showing of the Original directors print at The Academy of Motion pictures on Wilshire Blvd was a happening James Mason spoke Judy Garlands 3 children where there As Excited as everyone else Then Hearing that Voice in Stereophonic sound gave the hairs on back of ones neck attention

    4. This behind-the-scenes exploration of the making of the 1954 classic, and then the 1893 restoration, is so compelling that it's impossible to put down. That elements of the film continue to be found is nothing short of amazing, and the minute details that Haver uncovered made for page-turning reading.

    5. A great read. A journal of the production and an interesting overview of the 1983 restoration. I hope there's still material to be uncovered. But at least now I have a satisfying explanation why the restoration version lasts175 min compared to the full-length of 181 min of the 1954 version.

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