Die Wasserstoff-Sonate

Die Wasserstoff Sonate Die ferne Zukunft Die Menschheit hat sich in den letzten zehntausend Jahren in der Galaxis ausgebreitet K nstliche Intelligenzen denkende Raumschiffe und Mensch Maschine Wesen sind nun der Alltag in

  • Title: Die Wasserstoff-Sonate
  • Author: Iain M. Banks
  • ISBN: 9783453315464
  • Page: 141
  • Format: Paperback
  • Die ferne Zukunft Die Menschheit hat sich in den letzten zehntausend Jahren in der Galaxis ausgebreitet K nstliche Intelligenzen, denkende Raumschiffe und Mensch Maschine Wesen sind nun der Alltag in der sogenannten KULTUR Doch wie hat all das einmal angefangen Als die herrschende Elite einer alten Zivilisation komplett ausgel scht wird, wird schnell eine Verd chtige pDie ferne Zukunft Die Menschheit hat sich in den letzten zehntausend Jahren in der Galaxis ausgebreitet K nstliche Intelligenzen, denkende Raumschiffe und Mensch Maschine Wesen sind nun der Alltag in der sogenannten KULTUR Doch wie hat all das einmal angefangen Als die herrschende Elite einer alten Zivilisation komplett ausgel scht wird, wird schnell eine Verd chtige pr sentiert doch Lieutenant Vyr Cossont ist unschuldig Sie macht sich auf die Suche nach den T tern und ger t in eine Verschw rung, die Tausende Jahre zur ckreicht, bis in die Anf nge der KULTUR

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    1. “Living either never has any point, or is always its own point; being a naturally cheery soul, I lean towards the latter.”“In practice, people don’t believe for good reasons anyway, they just believe and that’s it, like we don’t love for good reasons, we just love because we need to love.”And then there were no Culture novels left at all, and I was left with an Iain Banks shaped hole in my existence. If that sounds melodramatic, it’s because it is. But honestly, I am depressed as [...]

    2. End Days.Oh yes, the end is coming for the whole Gzilt civilization. They're tired of making music and screwing. They're tired of being so damn *good* at everything. So, let's follow the holy text and hop aboard the higher-dimensional expressway and SUBLIMEo ourselves!They're not the first culture to do it, and I'm sure they won't be the last, but the Culture has something to say about it. Yes they do. I need to warn you, folks. There's sensitive information ahead. Even slightly spoiler-like and [...]

    3. Banks seems content to spin out increasingly fractal world building episodes while adopting an ever more and more affected and feathery writing style filled with qualifiers and digressions and dangling clauses, becoming in each new work ever more tangled in conscious - or perhaps unconscious – imitation of the complicated, ever qualified, speech of his most famous creations, the great ship Minds, whose all-too self-aware multi-layered and consciously ornate dialogue forms the greater part of t [...]

    4. This has been a hard review to write. Not because of the book itself, about which I have only nice things to say, but because, as he recently announced, Iain M. Banks is dying of inoperable cancer, the sort of general systems failure which makes a mockery of notions like "intelligent" design. He's in good humo(u)r about it, considering, but this is still far, far too soon—he's just a scant few years older than I am! It's been a significant shock to the system as well for his multitude of fans, [...]

    5. “Is it true your body was covered in over a hundred penises?”“No. I think the most I ever had was about sixty, but that was slightly too many. I settled on fifty-three as the maximum. Even then it was very difficult maintaining an erection in all of them at the same time, even with four hearts.”Iain M. Banks’s latest Culture novel is representative of almost everything that has made the series so great. There’s enlightened interference, hedonism, spectacular setpieces, diversely char [...]

    6. While Mr Banks retains his ability to assemble brilliant imagery of the far future, I have to admit that this book was disappointing. It's a bunch of small ideas stitched together, instead of a big idea, mixed with a bunch of small ideas. For example: The Player of Games, Surface Detail, Excession, Matter and Use of Weapons all have "big ideas" that animate the central plot. And by the end of it, you understand what has happened, and why - the mystery is mostly unveiled and you enjoy the puzzle. [...]

    7. Several years ago I decided not to read any more Culture novels. I felt the whole idea was thoroughly explored by the end of the third book and that all of the subsequent ones represented a decline from that peak. With the sad early demise of Banks I relented; there were only two I hadn't read and there won't be any more. Some time later I've read the penultimate Culture novel and I have to say I was pleasantly surprised.Initially I was concerned that I'd made a mistake - old problems were all p [...]

    8. One my favorite in the Culture series which means I rank it with The Player of Games, Look to Windward, and Excession. Below are a couple quotations that struck me as I read them. Below that is my little paean to the series as a whole, written before I started the book. I'm not up to the task of writing a lengthy review at the moment but I will say that this, like Excession, is probably *not* the best introduction to the series. As I read the final 100 pages I felt that delightfully bittersweet [...]

    9. (The review was originally published at mybiochemicalsky.wordpress)“I told you before: I have a perverse delight in watching species fuck up,” says one of Mr. Banks’ characters, purportedly the oldest human being remaining in existence. Which in the universe of the Culture means that he is thousands upon thousands of years old. That statement applies well enough to the novel itself: it delights in spectacular cosmic-scale fuck-ups.I admit I am a latecomer to Ian Banks’ body of work, and [...]

    10. I love Iain M. Banks, and while I really enjoyed the chance to revisit the Culture again, and it's a fun story, I just felt that by the end, there were a bunch of big, loose ends flopping around that he never got around to tying up. It's that whole "Chekhov's gun" thing -- Banks trots out several big plot threads over the course of the novel, but most of them don't really come to fruition by the time everything's over. (More detail below.)(view spoiler)[The biggest one, for me, was the Banstegey [...]

    11. on its way here; yes, it's here today (Sept 18); now to find the time/energy that this huge asap deservesarted the book tonight (Sept 18) and here is the first paragraph of the novel per se after a prologue chapter with talking ships (as you can see it is vintage IM Banks and awesome):"At sunset above the plains of Kwaalon, on a dark high terrace balanced on a glittering black swirl of architecture forming a relatively microscopic part of the equatorial Girdlecity of Xown, Vyr Cossont - Lieutena [...]

    12. I will start this review by stating that I am a huge Ian M. Banks fan, ever since I picked up Consider Phlebas quite by accident whilst travelling, I have been taken in by these stories and the entity known as the Culture. These early books really defined for me, an era of SF that seemed to have evolved to a higher level, and combined his contemporary fictional writing skills but without any constraints or boundaries of reality.I have not ready any however, for the past 10 years, so bought this [...]

    13. The final installment in “the ongoing history of Terrific Things The Culture And Its Brilliant Ships Had Got Up To Over The Years.” didn’t disappoint! Quick bare bones: there’s this girl called Vyr Cossont just moseying on , getting on with life or the end of it, to be more accurate. Her civilization has collectively agreed to rapture sublime out of this existence into the greater (supposedly amazing) unknown, now that they feel they’ve achieved everything there is to achieve in the he [...]

    14. Although the dialogs made me chuckle a few times, I'm giving up in Chapter 3. I haven't read such an overbloated text, chock-full of adjectives and tell-don't-shows, in a long time. :-O

    15. Culture novels are my guilt-free SF pleasure. They feel like SF 301; that is to say, pretty much dense and inaccessible to SF neophytes, but a delight when you want to read all about super-intelligent starships and 7-dimensional spacetime and super-advanced military tech. And the best part is, Banks even throws in the occasional juvenile joke.The Hydrogen Sonata follows this precise formula, which makes it an average Culture novel; that is to say, it's great. This entry in the series concerns it [...]

    16. Fans of Iain Banks' Culture series of novels, and particularly those in which the Minds - those hyperintelligent entities who run the vast ships and habitats of the Culture - are major if not principal characters will, for the most part, enjoy The Hydrogen Sonata. A long-hidden secret threatens to derail the Gzilt civilization's plans to Sublime, or move on to the next stage of evolution. Various cabals in Gzilt society seek to verify the truth of the secret, to suppress it, or just to get what [...]

    17. there's something about a Culture novel that makes a non-geek really want to become a geek: to comb over every detail of every Culture novel, looking for connections and cross-references and overlapping treatments of themes, and have a list of Culture ship names tattooed up one's legs. one wants to go to Culture conventions dressed up as a character from the novels, and pretend very hard that one is a Culture citizenis novel will only add to that ever-growing desire, what happens when it becomes [...]

    18. I've read through the whole series of Culture novels over the past 6 months, starting the next one after I've finished the last. It's sad coming to the end of the series which I've enjoyed a lot (even when I've criticised it), especially knowing that it's the end because the brilliant author has died. But in many ways this book feels like a fitting end to the series because it's so focused on endings and death in general.The basis of the plot is around a whole civilisation about to Sublime - go [...]

    19. So, it took a week, but I finally finished Banks' new Culture novel, The Hydrogen Sonata. It was a better novel that Matter, Transitions, or Surface Detail, but Banks is turning into a one-trick pony here.The Hydrogen Sonata (also known as T. C. Vilabiers 26th String-Specific Sonata For An Instrument Yet To Be Invented, catalogue number MW 1211) is a fiendishly difficult piece of music to master, yet Lt. Cmdr. (reserve) Vyr Cossant is determined to master it. She's close, very close-- but in les [...]

    20. There is a perceptive review of The Hydrogen Sonata at The Guardian website that more or less sums up what makes the Culture novels so interesting. Follow the link for a review of the Culture and a summary of the book in question so I can get on to things about the book that particularly struck me (it’s short).That done, expect spoilers:It’s true that (IMO) Banks still hasn’t regained the heights attained in Consider Phlebas, Use of Weapons or – especially – The Player Of Games in this [...]

    21. I finished this one two days before the devastating news of Iain's cancer hit. I've not been able to review it because I didn't have enough emotional distance in order to talk about the book, and not about what Banks-the-author means to me. But it's time. The review pile isn't getting any smaller. Thus, to work:The Hydrogen Sonata is Banks at his finest. It has Culture minds high on galactic politics and their own superiority over biological intelligence, a little bit of violence, a little bit o [...]

    22. The great and glorious Gzilt civilization is about to Sublime. To Transcend, to achieve Ascension, to cross the Singularity, to pass beyond and join the bleedin' choir invisible. It's scheduled for the end of the month. And so all the Gzilt have settled down to do exactly what you'd expect of a Culture-level civilization on such a momentous occasion: one last round of cocktail parties, hiking vacations, and orgies (as suits one's preferred level of debauchery), while receiving congratulatory mes [...]

    23. It is clear that Iain Banks is one of our generations' greatest science fiction authors, a peer of Asimov for the new century, and one of last keepers of Asimov-style SF (that being both high concept and soft science). It's too bad that (failing an unlikely pop adaptation into another format like film) the soft-ish nature of the SF (mostly abandoned for hard SF, like Karl Schroeder or outright Sci-Fi Fantasy of the Star Wars variety), the extensive length of most works and the regular slower-tha [...]

    24. I worry that I'm starting to lose my admiration for Banks' Culture books. Although I enjoyed this one, I feel like this book continues my downward trend of enjoyment of the series in the last few books. I still love the banter between Culture Minds (probably my favourite part of this book), and Banks' ability to describe alien places in such vibrant language. The interaction between the Minds and the two Scrounger races was very lively (albeit a little ST:TNG at times). So where does the colour [...]

    25. As sometimes happens with the Christmas Gift, I received this book, which I really really wanted to read when I saw the synopsis - and then discovered it's #10 in a series. Now, do I read it anyway, series be damned, chronology is over-rated! I can always go back to the beginning after! Or do I adhere the the strict structure of serial works and slog through the first nine, getting more and more desperate to reach the final goal of that book that I actually own? Actually that's more that just a [...]

    26. No disrespect to Mr. Banks, but reading a Culture novel is the literary equivalent of watching a Hollywood SF blockbuster only with an infinitely better script, and lots more weirdness, sex and drugs.One of the reasons why Disney is unlikely to buy the film rights to the Culture novels is that a key character in THS is a sybarite with 60 penises grafted onto his body; he also has four hearts to sustain so much convective tissue; the most number of people he has ever had sex with at one time was [...]

    27. *Sigh* At the end of every new Culture novel these days I feel frustrated. Not because I didn't enjoy them, but because it means I'd have to wait a couple of years before the next one. :( Anyway, I enjoyed this more than others, mostly because of the humor despite the grimness of the situations. Banks, as always, delivers incredibly astute observations on the predilections of societies, disguised in trite British humor but none the less true for it. (view spoiler)[I did find the ending incredibl [...]

    28. It is very well written, and is much better than Matter just in terms of its character and plotting But the Ghizt don't make any damn sense at all. They are like a Heinlein military kludged together with Culture tech, and they have all the street sense of a 1950s sitcom character. The Sublime is needlessly obfuscated and repeated as ineffable,but there's no logical reason for it to be quite the mystic experience that it is described as And the Minds themselves can't quite work out why they are e [...]

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