The Stories of Paul Bowles

The Stories of Paul Bowles The short fiction of American literary cult figure Paul Bowles is marked by a unique delicately spare style and a dark rich exotic mood by turns chilling ironic and wry possessing a symmetry be

  • Title: The Stories of Paul Bowles
  • Author: Paul Bowles RobertStone
  • ISBN: 9780061137044
  • Page: 154
  • Format: Paperback
  • The short fiction of American literary cult figure Paul Bowles is marked by a unique, delicately spare style, and a dark, rich, exotic mood, by turns chilling, ironic, and wry possessing a symmetry between beauty and terror that is haunting and ultimately moral In Pastor Dowe at Tecat , a Protestant missionary is sent to a faraway place where his God has no power In CThe short fiction of American literary cult figure Paul Bowles is marked by a unique, delicately spare style, and a dark, rich, exotic mood, by turns chilling, ironic, and wry possessing a symmetry between beauty and terror that is haunting and ultimately moral In Pastor Dowe at Tecat , a Protestant missionary is sent to a faraway place where his God has no power In Call at Coraz n, an American husband abandons his alcoholic wife on their honeymoon in a South American jungle In Allal, a boy s drug induced metamorphosis into a deadly serpent leads to his violent death Here also are some of Bowles s most famous works, including The Delicate Prey, a grimly satisfying tale of vengeance, and A Distant Episode, which Tennessee Williams proclaimed a masterpiece.

    One thought on “The Stories of Paul Bowles”

    1. I came to this collection the way I recently came to reading The Sheltering Sky; years of occasional recommendation and rare instances of picking up a book by Paul or Jane Bowles, reading a passage, and putting it back. A couple of years ago I arrived in San Francisco and every so often stayed on the floor of my friend's closet, which happened to hold no clothing but a section of his library. We had our enthusiasms and differences in literary taste. I found it hard to believe someone could actua [...]

    2. There are some chilling stories in this tome. The man chased by a legless hairy creature with flipper arms set the tone for this book. But the stories are so short and the pattern shows up: person A goes to foreign land, settles in, nothing happens, nothing happens, nothing happens, oh my Sainted Peter what the hell just happened? I will never be able to explain this to my friends back in civilization what just happened (completely unexpected) for it could never occur there. Never, I tell you!

    3. I can't think of anyone who writes more strikingly than Bowles of The Self (often, but not always, a cultured Westerner) coming face-to-face with The Other. Other-ness, in Bowles's stories, functions like Nietzsche's void: When it is stared into by a protagonist, prodded or investigated or even ostensibly subjugated, it is always staring right back — waiting to infiltrate the protagonist, to explode him or her from the inside.In his introduction to this edition of the collected stories, Robert [...]

    4. I read these over a long time, so almost none of the stories are fresh in my memory. Bowles writes beautifully. His stories, and attitude about human nature, make Conrad seem like an optimist. At their core, for Bowles, people are unknowable and terrifying. He illustrates this again and again by showing a lack of understanding between the natives of North Africa, and the visitors and expatriates who are mostly the subject of the stories. The stories can be funny, savage, and wise - sometimes all [...]

    5. One of my favorite all time books. Many of these stories are pure atmosphere, but it's atmosphere so thick you can climb in and move around in them. You can feel the creeping of time and the richness of air.

    6. So many feelings of Deja Vu as I would struggle with the same turn of phrase, wondering if a story had been accidentally included twice in this massive tome. The stories weren’t BAD, persay, and there were a scattered few I enjoyed, but the vast majority were just so very, very dull. I figured that since I adored The Sheltering Sky, I would like his works of short fiction. I was sorely mistaken.

    7. For some writers, praising the sentences of their work might have an undercurrent of exclusion: maybe it doesn’t add up to much more, so you praise it down at a lesser level. Let that be the disclaimer, I mean the opposite here.God, these sentences. Each story is so good on a molecular level. It’s taken me forever to get through, because I keep leap-frogging back to read the ones I’ve already read. The atmosphere just gets in your bones, the way you can feel the weather. This is a book I [...]

    8. Disturbing and satisfyingly unsatisfying. He builds a lot of dramatic tension, then resolves it - or doesn't - or sort of does - in unexpected ways. He explores and explodes the social mores of Europeans of his time (1920s-1950s). Warning: there are no happy endings in these stories - just less disastrous ones.

    9. I love Paul Bowles! I've read almost every novel he's written. This huge volume has short stories galore and is pure Paul Bowles. The main reason I love him is because his stories usually don't end anywhere near the "and they lived happily ever after" end of the spectrum. His stories and protagonists are often dark and pretty unlikable, in that order. I love Paul Bowles!

    10. Paul Bowles is probably best known for his novel The Sheltering Sky, and likely more for the movie made from it rather than his book, but apparently (at least I seem to remember reading that somewhere and I’m too lazy to look it up) he himself considered his stories his superior effort, and it would of course not be the first time that “most popular” does not coincide with “best”. I cannot judge that claim that myself, not having read any of Paul Bowles’ novels (yet – but I hope to [...]

    11. I am all about under-read brilliant authors this year, apparently, because GUYS. PAUL BOWLES. Wow. It is a shame and a grave injustice that he isn't on every list of essential American authors. This is a thick, dazzling, astonishing collection of stories about human nature, especially its darker and weirder representatives. Many stories involve Morocco, where Bowles lived for most of his adult life, and almost every story involves a compelling character brought to life by Bowles's vivid, perfect [...]

    12. There's something terminally estranged about Paul Bowles' stories. Very well-written and effective in what they do but the nihilism gets a bit single-note after a while. In omnibus form you get the gist quick and it's a bold reader that keeps going. I jumped ship after the one where the murderer/thief/rapist gets buried up to his neck and left in the sand. How many images like that do you need floating around in your head?

    13. These stories troubled me so much on the first read that I had to put it down, only to come back to it ten years later when I was better able to absorb the intensity of Bowles' writing. These are metaphysical/mystical tales. They read like wakeful dreams, inhabiting a place between worlds, haunting and strangely seductive.

    14. The writing is impeccable, clean and intelligent and thoughtful, but most of the stories are so dark that I found myself full of dread every time I'd pick it up. And I'm not easily deterred. Dark, not horrifying or scary - and, actually, often quite funny and wise. I read about 75%, and maybe someday I'll go back and finish them.

    15. This collection of short stories by Paul Bowles is kind of a mixed bag. Most of the stories are truly short quick reads. And, as you would expect, the majority of them are set in what used to be called exotic places, e.g. North Africa or South America. From my perspective, some of the stories are quite excellent while others are just so-so. In general, I really like Paul Bowles' stories and writing style. But none of these stories made the impression on me that "The Sheltering Sky" did. So my ov [...]

    16. Isolated, patient and unnerving is the words that come to mind thought this collection of Paul Bowles. Bowles shows that he is an ask excellent creative mind as he his narrator, slowly weaving patterns and underlying themes through his texts, submerging and gently pulling his readers back out from the shallow pool that holds such unfathomable ideas

    17. Paul Bowles was a brilliant storyteller. I really enjoyed reading his stories. Before diving into his world I knew little about Morocco or the life in Sahara. After finishing his stories I know a tiny bit more, albeit my view is biased by looking through the lens of an american immigrant.

    18. Excellent ambiance, great period reading; incredibly insightful but often despondent tone as to be expected with this era.

    19. His sense of culture and place is a palate to slather new colors of human behavior and feelings. North Africa is not Mayberry, U.S.A. And Bowles shows how humanity can exist in multitude forms, live in ways that crumble existing norms, cultural, spiritual, and of the soul. That even life and death are defined and hardened into each culture wherein they "live" (or die). Sexual morays. Personal relationships. What makes our shadows alive with new monsters. In this day and age of cultural melding a [...]

    20. "Too Far from Home," the title of one of Bowles' best stories, could be the title of this book. All his characters, in one way or another, stray cheerfully from their comfortable cocoons into territory that's strange and treacherous, though they never discover this until it's too late.You might think Bowles' overarching theme of creeping menace that ultimately does the protagonist in would become monotonous, but it never does. That's because each setting is fresh, each character different. Each [...]

    21. This collection of Paul Bowles (1910-1999) consists of sixty-two chronologically arranged short stories. This volume spans forty years of his work. Many of the stories are set in Morocco, where American writer Bowles lived.Please don't let my 2-star rating dissuade you from reading this collection. But you should know that most of these stories are a slow burn. Even the short short stories have a pensively sluggish payoff. So if you are in the mood, the market, the mindset for literary work that [...]

    22. I like to have several books at once on my bedside table. Here's one that's been hanging on. (Actually, it's not this book, it's a Selected Works edition.) Almost ditched it when I finished with the travel writing -- I had a hard time getting past the amount of luggage he seemed to need to hail around. Then, the bio pages of his childhood really turned me off, as most "exceptional" early childhood bios do. Read the novella, "Too Far From Home" and was disappointed. It's a good story, but it's to [...]

    23. I suppose this anthology would be classified as literary fiction or non genre fiction. I ordinarily prefer genre fiction, especially science fiction, and one of the problems I have always had with so-called literary fiction is that the stories usually leave me wondering what the point was. Genre fiction usually does have a point to make, but literary fiction leaves me saying, "So what?" These stories, for the most part, left me saying the same thing, so what? There is not really anything specifi [...]

    24. At least, I believe I know. If I am to doubt my own eyes and ears, then it is time I gave up entirely. But in connection with that idea a ghastly little thought occurs to me: am I doubting my eyes and ears? Obviously not; only my memory. Memory is a cleverer trickster by far. In that case, however, I am stark, raving mad, because I remember every detail of those hours spent in the subway. But here are the boxes piled in front of me on the desk, all twenty. I know them intimately. I glued down ea [...]

    25. All the stories have the exciting immediacy of life. Especially "A Distant Episode," about an English Professor who wants "real" experiences in a small town on the edge of the Sahara. He is taken by a guide throughout the town and at the end is led to steep cliff at the bottom of which he hear the music and drums of a primitive tribe. The guide who clearly does not want to go down the trail starts the professor down and then leaves him. He stumbles down the hill and is caught by several tribal m [...]

    26. Everyone is aware of the great beat writers, Kerouac, Ginsberg, Kesey, but few are hip to Paul Bowles, an expatriate American living in Mexico, Morocco, and Europe. He and his wife Jane wrote some of the greatest novels never read.As a writer, Bowles uses setting and circumstance to unsettle the reader. He typically describes nothing of the characters' physical appearance, leaving the reader to actually use his or her imagination.For another perspective on Beat writing, Paul Bowles offers the ou [...]

    27. I like the almost tangible mystery of the stories, foreigness and at the same time intimacy of Bowles' world. His language is immaculate; the intrigue is, well, intriguing, and the characters are fascinating. The most amazing thing for me is how he managed to get under the skin of foreign characters. Maybe the picture sounds convincing for me as a foreigner, of course, but in reality it can be far from the truth, from reality, since his forays into woman's psychology, for example, are from accur [...]

    28. Paul Bowles is a highly under-rated writer. You really should read him. These short stories are a good entry point. Some of them are pretty grim but few of them are not without wonderful passages. There are some chilling tales, here, not unlike the feeling you get with a great Poe story.I enjoyed his The Sheltering Sky, too, which I read before these stories. If I had it to do over again, I would read the short stories first because they give you a better sense of his broader prose style.

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